She’s unrepentant and doesn’t deny
There’s more to her than meets the eye
Never an admirer of automation of chores
Feels right at home, among dykes and whores
She’s pretty averse to the idea of clothes
Children of all kinds she loathes
Not quite the rebel for a virgin cause
Counting down the days to her menopause
Spits out feminist anthems full of spite
From behind the anonymity of her website
Mortally dislikes all human contact
Considers love to be something abstract
With her blood she would like to paint
And she spits on you if you call her quaint
Doesn’t like to drink, and she don’t do drugs
Watches television lying naked on the rugs
Neo-pagan rituals she performs with a chalice
Even though her heart be ripe with malice
Dreams of the day when she'd live with witches
As continually in her basement her mother stitches
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- suraj sharma
- my mind, therefore, becomes this outstretched field of immeasurable serenity, which, although illuminated at angles awkward and unfamiliar to my eyes - is neither dark nor twilit. The strange lighting turns the vacuous foreplay of shadows chasing shadows into an euphoric, almost utopian feeling which is held in suspension as long as this configuration of appearances beckons the restlessness of reason ever forward into the uncharted hinterlands of imagination while at the same time compelling me to bless the lighting director.
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