In Russia was this robot made
It’s dilapidated and of the worst grade
In a post-communist era they constructed it
For a purpose unfathomable - perhaps to sit
But it’s vacuum tubes will glow and burn
And cogs and gears will start to turn
If only that something would happen
Which would make him drop this inaction’s weapon
His owner now, is completely perplexed
Sorrowed by a great loss - and utterly vexed
But the stupid piece of metal won’t even budge
And refuses to engage in his routine drudge
But his legs were perfect for bipedal motion
His hydraulic hinges need no magic potion
And if occurs the event, that’s long been due
He’ll go back to work - as good as new
And then one day all his logic concurred
For the long awaited event had finally occurred
When in the basement, where the robot lay
His violin, the owner‘s kid, began to play
And his eyes illuminated, lips forged a smile
For music was what he needed all this while
And the owner’s kid stood right there in awe
Confused and amazed by what he saw
And let this be a lesson to all you souls
With hearts as cold as immortal ghouls
For whenever your memory begins to rot
Remember how I revived the Russian robot.
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- suraj sharma
- my mind, therefore, becomes this outstretched field of immeasurable serenity, which, although illuminated at angles awkward and unfamiliar to my eyes - is neither dark nor twilit. The strange lighting turns the vacuous foreplay of shadows chasing shadows into an euphoric, almost utopian feeling which is held in suspension as long as this configuration of appearances beckons the restlessness of reason ever forward into the uncharted hinterlands of imagination while at the same time compelling me to bless the lighting director.
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