We entered the cinema hall
At three in the night
All the halls were empty
Every odd light on
We came upon a door
That hid jeering voices
He must've knocked octillion times
Poetry was the password
The curtains trapped the conspiracy
A gramophone hushed the silence
Smoke seductively rose from cigars half lit,
Half unlit, the theater sparkled with secrecy
Alcohol, ammunition patrolled around
Like waitresses with naked intentions,
Making each man in the room giggle-
Over the inanity of the next
They called me “the mending bug”
For I could bend their storms
Or fold them into typhoons
Polluting all their plans
I made my request then,
When badly-drawn weapons floated around my nose
“let my friend leave”, I said,
It made more sense than insanity
Head-honchos all spoke amongst
Elders of the protocol.
They agreed to release my friend
From the gilded house of Samarkand.
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- suraj sharma
- my mind, therefore, becomes this outstretched field of immeasurable serenity, which, although illuminated at angles awkward and unfamiliar to my eyes - is neither dark nor twilit. The strange lighting turns the vacuous foreplay of shadows chasing shadows into an euphoric, almost utopian feeling which is held in suspension as long as this configuration of appearances beckons the restlessness of reason ever forward into the uncharted hinterlands of imagination while at the same time compelling me to bless the lighting director.
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