With the perfidy of a mildly charmed quark,
On a journey for answers I did not embark,
Nothing did the stars tell, nor the moon did hark,
Yet I gallantly gaited towards The Brownian lark
It wasn’t the clairvoyant that I sought to explain,
The explicit supernatural is lighter when it’s slain
But amongst somber skies, one crooked wind vane,
Was being a whirling dervish in excruciating pain
Coincidence was ever so gently humiliating,
When for the patient eleven-thirty I stood waiting,
A canine couple in distance shook facilitating -
Every pleasure afforded by their frivolous fornicating
The thunderous nimbi then moaned like a whore,
Our trio was soon caught in an orgasmic downpour,
Nature seemed hell-bent on revising the lore,
Of ill fate I could’ve asked but nothing more
For more than one dry reason I sought refuge,
From my unabashed audacity and from the deluge,
I pressed on for aridity with a saunter of a stooge,
Towards the only shelter of hope looming huge
I retraced my steps, never retrenched them back,
Though humidity before me was all drenched in black,
Though that time had lost me, I had found it’s track,
As I was awakened by an urge for a midnight snack.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License.
Notes:
This is a spoof (sort of) on my trilogy of poems titled "The Brownian Lark". I have changed the pattern from AABB to AAAA just to make it a little more challenging. This is no way, however, related to the story of the trilogy, neither is it a sequel nor a prequel, it's just a spin off. The object of writing this poem was to ascertain the growth of my so called "skill" between the time that I wrote the other poems and now. In my personal opinion, I think I have decidedly shown some improvement, YMMV.
The Brownian Lark: Part One, Part Two, Parth Three
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- suraj sharma
- my mind, therefore, becomes this outstretched field of immeasurable serenity, which, although illuminated at angles awkward and unfamiliar to my eyes - is neither dark nor twilit. The strange lighting turns the vacuous foreplay of shadows chasing shadows into an euphoric, almost utopian feeling which is held in suspension as long as this configuration of appearances beckons the restlessness of reason ever forward into the uncharted hinterlands of imagination while at the same time compelling me to bless the lighting director.
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