Light the gunpowder sprinkled in thin lines across,
The dismal floors of the forest of dismay,
Watch her beauty spread fire like an explosive enquiry,
To which I confess that I’m fuckin’ blown away
I’m choking on sunshine in a filthy cabaret,
Sunshine that kisses her tender, textural grace,
She jolts and cajoles all our sodden senses,
As she hypnotically erases all songs in her praise
There’s something about this mistress of poise,
More poisonously potent than the helium I inhaled,
Could she be the reason why airplanes crash?
Why submarines sink and trains are derailed
If the last junction in our journey of faith,
Is in watching these dismal woods go down in glory,
Then the powers that be need my strongest persuasion,
To allow me to play some small part in her story.
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- suraj sharma
- my mind, therefore, becomes this outstretched field of immeasurable serenity, which, although illuminated at angles awkward and unfamiliar to my eyes - is neither dark nor twilit. The strange lighting turns the vacuous foreplay of shadows chasing shadows into an euphoric, almost utopian feeling which is held in suspension as long as this configuration of appearances beckons the restlessness of reason ever forward into the uncharted hinterlands of imagination while at the same time compelling me to bless the lighting director.
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