Punctuated in periods of seismographic shifts,
My time in the sanctuaries of despondence drifts,
And the question that guards elucidations of fate,
Is running fast, but is running late.
Twenty one semicolons, and two silent periods,
Envelope this ensemble of mistaken myriads,
Invariably they send me a bouquet of lies,
My obdurate will my obdurate will defies
They yell out perfectly embellished taunts,
And scratch the surface of the past that daunts,
Lies upon lies built on embankments of trust,
But I shan’t break this mould, even if I must
Because in this mould I was died and cast,
And yes, sometimes I’m left alone and aghast,
But these twenty one semicolons recapitulate the fable,
Of how she struggled as he put bread on the table
And though life’s ocean may seem rhetorically calm,
But their bones still need my gratitude’s balm,
So I can’t refuse to pay the responsible debt,
And that I will, is the safest bet.
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- suraj sharma
- my mind, therefore, becomes this outstretched field of immeasurable serenity, which, although illuminated at angles awkward and unfamiliar to my eyes - is neither dark nor twilit. The strange lighting turns the vacuous foreplay of shadows chasing shadows into an euphoric, almost utopian feeling which is held in suspension as long as this configuration of appearances beckons the restlessness of reason ever forward into the uncharted hinterlands of imagination while at the same time compelling me to bless the lighting director.
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